Vol. 30 No. 47 (2024): Imagens moventes: arte, cinema, vídeo

View Vol. 30 No. 47 (2024): Imagens moventes: arte, cinema, vídeo
DOI: https://doi.org/10.60001/ae.n47
Published: 2024-08-22

Full Issue

Apresentação / Editorial

  • Imagens moventes: arte, cinema, vídeo

    Livia Flores
    1-9
    DOI: https://doi.org/10.60001/ae.n47.1

Entrevista

  • Lineage is language: an interview with Aline Motta

    11-41
    DOI: https://doi.org/10.60001/ae.n47.2

Artigos

  • Gray zone or beyond the white cube and the black box

    Cássia Hosni
    43-62
    DOI: https://doi.org/10.60001/ae.n47.3

  • Object films Still life between experimental cinema and video art

    Ian Schuler
    63-81
    DOI: https://doi.org/10.60001/ae.n47.4

  • From the image of presence to the presence of the image the time of video performance

    Ricardo Maurício Gonzaga
    82-106
    DOI: https://doi.org/10.60001/ae.n47.5

  • For life to happen: device and performativity in Asymptotes

    Franz Manata
    107-119
    DOI: https://doi.org/10.60001/ae.n47.6

  • Cinema on infinitive: connexions between Lygia Clark and Adirley Queirós

    Maria Bogado
    120-144
    DOI: https://doi.org/10.60001/ae.n47.7

  • The film Elena as a cine-biographeme from the audio letters and video diaries of the character title

    Maruzia de Almeida Dultra
    145-161
    DOI: https://doi.org/10.60001/ae.n47.8

  • Weaving fugitivity with the threads of the body in dance

    Aline Portugal
    162-184
    DOI: https://doi.org/10.60001/ae.n47.9

  • The movement-image under Paulo Barros’ carnival visualities

    Leonardo Augusto de Jesus
    185-209
    DOI: https://doi.org/10.60001/ae.n47.10

  • Cinema, technicity, and sacredness: An overview of the shifting boundaries between art, science, and religion

    Marcio Barreto
    210-232
    DOI: https://doi.org/10.60001/ae.n47.11

  • The abstract bond

    Artur de Vargas Giorgi
    319-331
    DOI: https://doi.org/10.60001/ae.n47.18

  • The non-object in Anish Kapoor: between the visible and the invisible

    Lucas Procópio de Oliveira Tolotti
    332-348
    DOI: https://doi.org/10.60001/ae.n47.19

  • Study of the carving in the chapel of the Third Order, convent of santo Antônio in João Pessoa

    Aziz José de Oliveira Pedrosa Pedrosa
    349-370
    DOI: https://doi.org/10.60001/ae.n47.20

Tradução

Dossiê

  • Dossier: The obstinate life of images. Experimentation and montage between cinema and visual arts.

    Giovanni Festa
    234-239
    DOI: https://doi.org/10.60001/ae.n47.12

  • Museum, montage, mistery

    Giovanni Festa
    240-254
    DOI: https://doi.org/10.60001/ae.n47.13

  • Cinema in the museum: some ideas about the exhibition Action-Cinema in Colombia at the National Museum

    Mauricio Durán Castro
    255-267
    DOI: https://doi.org/10.60001/ae.n47.14

  • Percussive images: notes on the work of Los Ingrávidos

    Eduardo A. Russo
    268-286
    DOI: https://doi.org/10.60001/ae.n47.15

  • Pedro Manrique Figueroa and the Tiger Tamer

    Alessandra Merlo
    287-298
    DOI: https://doi.org/10.60001/ae.n47.16

  • Notes on trends in contemporary Argentine audiovisual in the work of Andrés Denegri and Lucía Seles

    Tamara Accorinti
    299-317
    DOI: https://doi.org/10.60001/ae.n47.17